This work has to do with a strategy to overcome the reduction of the art work to an object on display, in a site institutionalized for that purpose, with a contemplative viewer.

It is not about a canonical work, but about dwelling within those significant places of the personal, institutional and social memory from the apparent physical, expansive and comprehensive fragmentation of a work that struggles to redeem evocative forces that still beat, underlyingly, unresolvedly and  thrivingly in the hackneyed legitimisation of the label.

The importance of the narrative does not lie in the figure of the author nor the exhibiting institution, but in the relevance the constructed meanings may objectively operate in others.